BSS Audio FDS 310 User Manual

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Summary of Contents

Page 1 - User Manual

1FDS 310User Manual

Page 2

10Getting to know the FDS-310Fig 6.1 Front PanelFig 6.2 Rear Panel

Page 3 - Contents

11All numbers in bubbles refer to Section numbers.

Page 4

127.0 Mechanical InstallationA vertical rack space of 1U (1¾" / 44.5 mm high) is required. Ventilation gapsare unnecessary (See Figure 7.1).If th

Page 5 - 1.0 What is a Crossover?

13Connecting to Power8.0 Mains Power ConnectionVoltage: The FDS-310 operates on either 115 or 230 volt supplies. Use thevoltage selector switch to cho

Page 6 - Passive Crossovers

14Input Connections9.0 Input ConnectionsEach jack socket accepts signal sources from a 3-pole (stereo), or 2-pole(mono), 'A' gauge phone plu

Page 7 - 3.0 Other advantages

15Output Connections10.0 Output Connections10.2 Using XLRPlugsEach male XLR outputs a balanced signal - symmetrical to ground andfloating. The output

Page 8 - Linkwitz-Riley Alignment

1611.0 Connection and Setup11.1 Selecting '2-Way' 2 ChannelOperationIn a 2-way system, the incoming full range signal is split into 2 bands.

Page 9 - 6.0 Unpacking

17ALWAYS check the crossover frequency is set to a safe minimum figurebefore driving the system at high levels:• Set levels controls to their centre z

Page 10 - Getting to know the FDS-310

18Setting up -SchematicsFig 11.1 2- and 3-WaySetupsThe FDS-310 can drive sub-woofers ('Sub-Low or 'Sub-Bass' cabinets) whenswitched t

Page 11

19Setting up -2-Channel Sub-Woofer Operation12.0 Monaural Sub-Woofer Operation -for stereo 2-way systems onlyBecause human hearing is insensitive to t

Page 12 - 7.0 Mechanical Installation

2This equipment has been tested and found to comply with the following European Standards forElectromagnetic Compatibility:Emission Specification: EN5

Page 13 - 8.0 Mains Power Connection

2014.0 How to Equalise CD HornsTodays 'Constant Directivity' (CD) horns and drivers can be used in 2-waysystems with comparatively low cross

Page 14 - 9.0 Input Connections

2115.0 Full range Output -3-way operation onlyWhen switched on 'MONO 3-WAY' mode, the Channel 2 input ('FULLRANGE' in 3-way mode)

Page 15 - 10.0 Output Connections

22Crossover Alignment Procedure17.0 Crossover Alignment Procedure:Setting the level controlsThe modern idea is to set the crossovers' level contr

Page 16 - 11.0 Connection and Setup

23If the mid output is not enough, even when the crossovers MID RANGEcontrol is set at maximum (+6dB), check the mid-range power amplifierssensitivity

Page 17

24• All EQ controls throughout the sound system should be set flat before settingup the FDS-310 LEVEL controls. Any house EQ adjustments can be madela

Page 18 - Fig 11.1 2- and 3-Way

2519.0 Polarity switching and Output Polarityreversal optionEach frequency bands' control surface includes a POLARITY switch (SeeFigure 6.1). Dep

Page 19 - Setting up

26No OutputProblem:Is the MUTE switch depressed?Is the mains power on? (See section 8).Check the connections. See Fuse failure (below).Do you have an

Page 20 - 14.0 How to Equalise CD Horns

2721.0 Grounding/Earthing Procedures(Curing hums)The FDS-310 is supplied with the signal ground (0V) tied to chassis, which isconnected in turn to:• M

Page 21 - 16.0 LED indicators

2822.0 Service SectionFig 22.1 Locating theFREQ switches22.1 2-ChannelSub-WooferOperationThis section refers to section 12 in regard to activating the

Page 22 - Setting the level controls

29Fig 22.2 Locating theMONO LOW/LINKINGswitchTo activate the equalisation:• Disconnect the mains power and remove the top cover plate.• Locate the 3-p

Page 23

3ContentsContents1.0 What is a Crossover? 52.0 The difference between Activeand Passive Crossovers 63.0 Other advantages 74.0 The Linkwitz-Riley advan

Page 24 - 18.0 Using the Mute switch

30• Disconnect the power and remove the top cover plate.• Locate the green wire bolted to the chassis on the right side of the toroidaltransformer. Ch

Page 25 - POLARITY switch

3123.0 GlossaryActive electronic circuits are those which are capable of voltage and powergain by using transistors and integrated circuits.AmplitudeR

Page 26 - 20.0 Troubleshooting

32EqualisationModification of the frequency response of an audio system, regardless oflevel, for corrective or enhancement purposes.FrequencyThe repet

Page 27 - (Curing hums)

33Input Impedance: Balanced bridging; 12k ohmsMax. Input Level: +20dBm/dBu/dBvThrough Gain: Input to any output with level control set at 0dB: 0dBFull

Page 28 - 22.0 Service Section

34This unit is warranted by BSS Audio to the original end user purchaser againstdefects in workmanship and the materials used in its manufacture for a

Page 29 - SERVICE SECTION

35IndexSymbols2-Channel Sub-WooferOperation. See Setting up2-Way 2 Channel Operation. SeeSetting up3-Way Mono Operation. See SettingupAActive Crossove

Page 30 - CHASSIS point

36WWarranty Info. 34Wiring Convention. See InputConnections: Output Connec-tionsXXLR Plugs. See Input ConnectionsZZero Phase difference. See Linkwitz-

Page 32

38User Notes

Page 34 - 25.0 Warranty Information

4Contents16.0 LED indicators 2116.1 'Signal Present' 2116.2 'Peak' 2117.0 Crossover Alignment Procedure:Setting the level controls

Page 35

40User Notes

Page 36

51.0 What is a Crossover?CrossoversCrossovers are a necessary part of sound reinforcement systems because theloudspeaker drive-unit which can produce

Page 37 - User Notes

62.0 The difference between Active andPassive CrossoversPassive crossovers divide the frequency spectrum after the signal has beenraised to a high pow

Page 38

7Crossover advantages3.0 Other advantagesThe drive-units in sound reinforcement systems utilising active crossoversbenefit because:• Steep rolloffs ar

Page 39

8Linkwitz-Riley Alignment4.0 The Linkwitz-Riley advantageThere is an additional set of advantages exclusive to active crossovers madeby BSS, and other

Page 40

9BSS Crossovers5.0 What is special about BSS Crossovers?The FDS-310 is a condensation of over ten years experience, manufacturingthe industry's m

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